may this dress remind us of our inner light and our ability to create change . . .

'this comes from within . . .' 2009, Boston, MA.
room installation surrounding
an 8 foot tall dress made from eggshells

'this comes from within . . . ' (detail)
from wall painting

“But when you’re stuck, 

the major task is deciding if you’re going to change at all. 

The challenge is finding the ability,

in the face of an overwhelming amount of resistance, 

to create a small change in your life and build on it.” 

― Mel Robbins, Stop Saying You're Fine: Discover a More Powerful You

'this comes from within . . . ' (detail)

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May this dress help you FLY!!!!

'flirt' installation about Mother Brook Art - see info below

“I have come to accept the feeling of not knowing 

where I am going. 

And I have trained myself to love it. 

Because it is only when we are suspended in mid-air 

with no landing in sight, 

that we force our wings to unravel and alas begin our flight. 

And as we fly, we still may not know where we are going to. 

But the miracle is in the unfolding of the wings. 

You may not know where you're going, 

but you know that so long as you spread your wings, 

the winds will carry you.” 

― C. JoyBell C.

opening reception Friday, February 7th from 7 – 9 p.m. The reception will include a meet & greet with the artists, live music, as well as wine and delicious treats from Whole Foods of Dedham. (In case of wintery weather, the storm date for the reception will be Sunday, February 9th from 4-6 p.m.)

This 6-week show features the work of 14 contemporary artists of international, national and regional renown working in a diverse mix of media and conceptual framework: Patty Chang and David Kelley, Merill Comeau, Christiane Corcelle, Virginia Fitzgerald, Elizabeth Kostojohn, Danielle LaPointe, Judith Monteferrante, Robin Reynolds, Michael Seif, Iris Sonnenschein, Martha Wakefield, Jeanne Williamson, and Wendy Young.

The exhibit will run through Friday, March 14th and viewing hours are Tuesday – Saturday, 12 – 6 p.m. The show was curated by Martha Wakefield and Jeanne Williamson.

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